By Foley A.L.
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Extra info for A Photographic Method of Finding the Instantaneous Velocity of Sound Waves at Points Near the Source
Desire is, then, ultimately an attempt at filling this lack. Jouissance, sometimes linked in Lacan’s thought to orgasm, and specifically female orgasm, suggests the possibility of recovering the person’s lost 11 For an important discussion of commodification in The Matrix by way of its connection to an earlier Keanu Reeves film, Bill and Ted’s Excellent Adventure (1989), see Hunter (2002). ” 12 The Baudrillard quotation is from Simulacra and Simulation. Reworking an image of Jorge Luis Borges, Baudrillard writes that: Today abstraction is no longer that of the map, the double, the mirror, or the concept.
Plant, Sadie. 1992. The Most Radical Gesture: The Situationist International in a Postmodern Age. London: Routledge. Roszak, Theodore. 1973. Where the Wasteland Ends: Politics and Transcendence in Post-Industrial Society. London: Faber. Sanes, Ken. 2004. ” Transparency 28. htm. Sobchack, Vivian. 1987. Screening Space: The American Science Fiction Film. 2nd, enl. ed. New York: Ungar. Sterling, Bruce. 2002. ” In Haber. Ed. 16-29. Stratton, Jon. 1994. ” New Formations 21: 35-63. Reprinted in C. Richard King.
Le miroir de la production: ou, l’illusion critique du matérialisme historique. 2nd ed. Paris: Casterman. ———. 1994. Simulacra and Simulation. Trans. Sheila Fariar Glaser. Ann Arbor: University of Michigan Press. Berger, James. 1999. After the End: Representations of Post-Apocalypse. Minneapolis: University of Minnesota Press. Booker, M. Keith. 1994. The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. : Greenwood Press. Debord, Guy. 1994. La société du spectacle. New York: Zone Books.
A Photographic Method of Finding the Instantaneous Velocity of Sound Waves at Points Near the Source by Foley A.L.